Installations

A shrine for a shrine

The man shouted Take the life out. Before that demand there used to be a shrine. A place to thank and make a conscious exchange with bacteria. A moment to acknowledge their existence and the importance of it for life. Now we stand in front of it´s remains. Outlines mark the reflection of their habitat. Ghost that depend on perspective…

Altar for the numerological sequestrator

Altar for the numerological sequestrator is a shrine for different organisms that sequester CO₂ at different quantities and rates. Some are more efficient than others. Some produce or consume more than what their body can sequester.
Now that there is a rush and a market to sequester CO₂, organisms are given a value worth for the CO₂ sequestration capacity.
The risk with this is that organisms become more or less valuable depending on how much they can serve us and serve our needs for the manipulation of the environment.

Curare

The cave is a natural dwelling for many organisms, and we humans haven’t been the exception. This space, the cave, has been part of our genetic and cultural evolution…

Flora Nativa en el Paisaje Invadido (Native flora in the invaded landscape)

Within ‘Flora Nativa en el Paisaje Invadido‘, Paula Flores proposes a work that, without establishing formal limits, moves between the sculptural, the pictorial and the setting to insert us in a sort of territorial abstraction: a space now a Mediterranean zone, a site now a scientific showcase.

Inevitable

Every action that we take has an intertwined reaction with the rest of the world. Most of the time we don’t think about it all. We are inevitably interconnected with everything else, we are everything else.

Litos liquen

Symbiotic, parasitic, antagonistic relationships and casual encounters.
What is the relationship of the urban population with nature?
How much do we take these organisms into account in our daily lives?

Mediation

Mycelium sculptures that rest on synthetic fur, fur that is reminiscent of mammalian warmth. One of the mycelium sculptures rests on a gold sheet. This one is the chosen one. The one with the highest value. The once harrier mammal that now has lost much of its hair, decided the ranking of the hierarchies in the natural world. The more precious they are, the higher the risk of losing them to ourselves.

Mexican Totems

Mexican totems is an installation that explores the research act of “othering”. What do we miss when we place ourselves on the outside? What do we miss when we make ourselves a part of the context? Is it possible to have a brain like the chameleon’s eyes that would allow us to merge these two?

Mirrors and Translations

Mirrors and translations is an exploration of the limits and definitions of what is considered dead or alive. It delves into the perceptions of what life is in the biological sense as well as in the cultural sphere.

Nitrogen

I want to interrupt

I want to interrupt the cycle of humans
The cycle that we live in now
The one where other lives don’t matter much
The one where we run on machines
instead of the earth…

Vicarious tears

Rivers that flow over skin, over seeds that should have been born. Roots, torn out and thrown into the ocean where they can’t reach the ground and are ever condemned to float until they disintegrate. But there are always remains that can be  reintegrated from the tears that come from the ocean. It’s the attempt to catch a reflection from another reflection and keep it for perpetuity.

Salvia Blanca

After some years of not touching the harsh sand, the strong rocks and the prickly plants my memories start to feel vague. Memories that exist since my birth. I have grown up in this land, the land of Baja California. A land I always yearn for. How can I refresh my memory of the nature that makes me feel myself, a self connected to everything else?

Party of a Lifetime

The ‘telepathic’ desire of Paula Flores branches out in this exhibition and creates an orbit of gestures that transport us to Mexico: the analogies between the hyphae of mycelium, the emotional networks and the hallucinatory experiences permeate the gallery in Vienna.

Afterparty

The ‘telepathic’ desire of Paula Flores branches out in this exhibition and creates an orbit of gestures that transport us to Mexico: the analogies between the hyphae of mycelium, the emotional networks and the hallucinatory experiences permeate the gallery in Vienna.

A shrine for a shrine

The man shouted Take the life out. Before that demand there used to be a shrine. A place to thank and make a conscious exchange with bacteria. A moment to acknowledge their existence and the importance of it for life. Now we stand in front of it´s remains. Outlines mark the reflection of their habitat. Ghost that depend on perspective…

Altar for the numerological sequestrator

Altar for the numerological sequestrator is a shrine for different organisms that sequester CO₂ at different quantities and rates. Some are more efficient than others. Some produce or consume more than what their body can sequester.
Now that there is a rush and a market to sequester CO₂, organisms are given a value worth for the CO₂ sequestration capacity.
The risk with this is that organisms become more or less valuable depending on how much they can serve us and serve our needs for the manipulation of the environment.

Curare

The cave is a natural dwelling for many organisms, and we humans haven’t been the exception. This space, the cave, has been part of our genetic and cultural evolution…

Native flora in the invaded landscape

Within ‘Native flora in the invaded landscape’, Paula Flores proposes a work that, without establishing formal limits, moves between the sculptural, the pictorial and the setting to insert us in a sort of territorial abstraction: a space now a Mediterranean zone, a site now a scientific showcase.

Inevitable

Every action that we take has an intertwined reaction with the rest of the world. Most of the time we don’t think about it all. We are inevitably interconnected with everything else, we are everything else.

Litos liquen

Relaciones simbióticas, parasitarias, antagónicas y encuentros casuales.
¿Cuál es la relación de la población citadina con la naturaleza?
¿Qué tanto tomamos en cuenta a estos organismos en nuestra vida diaria?

Mediation

Mycelium sculptures that rest on synthetic fur, fur that is reminiscent of mammalian warmth. One of the mycelium sculptures rests on a gold sheet. This one is the chosen one. The one with the highest value. The once harrier mammal that now has lost much of its hair, decided the ranking of the hierarchies in the natural world. The more precious they are, the higher the risk of losing them to ourselves.

Mexican Totems

Mexican totems is an installation that explores the research act of “othering”. What do we miss when we place ourselves on the outside? What do we miss when we make ourselves a part of the context? Is it possible to have a brain like the chameleon’s eyes that would allow us to merge these two?

Mirrors and Translations

Mirrors and translations is an exploration of the limits and definitions of what is considered dead or alive. It delves into the perceptions of what life is in the biological sense as well as in the cultural sphere.

Nitrogen

I want to interrupt

I want to interrupt the cycle of humans
The cycle that we live in now
The one where other lives don’t matter much
The one where we run on machines
instead of the earth…

Vicarious tears

Rivers that flow over skin, over seeds that should have been born. Roots, torn out and thrown into the ocean where they can’t reach the ground and are ever condemned to float until they disintegrate. But there are always remains that can be  reintegrated from the tears that come from the ocean. It’s the attempt to catch a reflection from another reflection and keep it for perpetuity.

Salvia Blanca

After some years of not touching the harsh sand, the strong rocks and the prickly plants my memories start to feel vague. Memories that exist since my birth. I have grown up in this land, the land of Baja California. A land I always yearn for. How can I refresh my memory of the nature that makes me feel myself, a self connected to everything else?

Party of a Lifetime

The ‘telepathic’ desire of Paula Flores branches out in this exhibition and creates an orbit of gestures that transport us to Mexico: the analogies between the hyphae of mycelium, the emotional networks and the hallucinatory experiences permeate the gallery in Vienna.

Afterparty

The ‘telepathic’ desire of Paula Flores branches out in this exhibition and creates an orbit of gestures that transport us to Mexico: the analogies between the hyphae of mycelium, the emotional networks and the hallucinatory experiences permeate the gallery in Vienna.
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